When RaMell Ross signed on to direct the adaptation of Colson Whitehead’s Nickel Boys, he wanted nearly the entire film to be shot from the first-person perspective. Here’s how he pulled off one of the year’s best and most ambitious movies.
When RaMell Ross signed on to direct the adaptation of Colson Whitehead’s Nickel Boys, he wanted nearly the entire film to be shot from the first-person perspective. Here’s how he pulled off one of the year’s best and most ambitious movies.